Götterdämmerung (Der Ring des Nibelungen)
| 5 hours and 20 minutes, including intermissions | |
Third day, in a prologue and three acts Words and music by Richard Wagner Teatro alla Scala Orchestra and Chorus Teatro alla Scala Production
Support the production with Milano per la Scala
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| Conductor (7 March) | ALEXANDER SODDY |
|---|---|
| Conductor (15 March) | SIMONE YOUNG |
| Staging | DAVID MCVICAR |
| Sets | DAVID MCVICAR & HANNAH POSTLETHWAITE |
| Costumes | EMMA KINGSBURY |
| Lights | DAVID FINN |
| Videos and projections | KATY TUCKER |
| Choreographies | GARETH MOLE |
| Master martial arts / circus performance | DAVID GREEVES |
Cast
| Siegfried | Klaus Florian Vogt |
| Hagen | Günther Groissböck |
| Gunther | Russell Braun |
| Alberich | Johannes Martin Kränzle |
| Brünnhilde | Camilla Nylund |
| Gutrune/Terza Norna | Olga Bezsmertna |
| Seconda Norna | Szilvia Vörös |
| Waltraute | Christa Mayer |
| Woglinde |
Lea-ann Dunbar |
| Wellgunde | Svetlina Stoyanova |
| Flosshilde | Virginie Verrez |
| Prima Norna | Christa Mayer |
Due to the persistence of an illness, Nina Stemme will be unable to perform in the performance of Götterdämmerung on 15 March. The role of Waltraute will be sung by Christa Mayer.
In brief
Götterdämmerung marks the final day of The Ring of the Nibelung. With it, Sir David McVicar’s directorial vision reaches completion—a vision that brings the Ring back to its mythical foundations and narrative clarity, firmly establishing it as a cornerstone of the Western canon. Ancient tragedy, Baroque theatre, and Elizabethan drama converge in an interpretation that identifies two episodes of comedy—Das Rheingold and Siegfried—and two deep dives into tragedy—Die Walküre and especially Götterdämmerung, which culminates in catastrophe.
5 hours and 20 minutes, including intermissions



