Carmen
| 2 hours and 55 minutes including intermission | |
Opéra-comique in four acts Libretto by Henri Meilhac and Ludovic Halévy from Prosper Mérimée Teatro alla Scala Orchestra and Chorus Treble Voices Chorus of the Teatro alla Scala Academy directed by Brunella Clerici Teatro alla Scala New Production Co-production with The Royal Opera, Covent Garden, London and Teatro Real, Madrid |
| Conductor | MYUNG-WHUN CHUNG |
|---|---|
| Staging | DAMIANO MICHIELETTO |
| Sets | PAOLO FANTIN |
| Costumes | CARLA TETI |
| Lights | ALESSANDRO CARLETTI |
| Dramaturgy | ELISA ZANINOTTO |
Cast
| Don José | Vittorio Grigolo (8, 12, 16, 22, 25 and 27 June) / Matthew Polenzani (10, 18, 20 and 23 June) |
| Escamillo | Giorgi Manoshvili (8, 12, 16, 22, 25 and 27 June) / Andrii Kymach (10, 18, 20 and 23 June) |
| Le Dancaïre | Pierre Doyen |
| Le Remendado | Loïc Félix |
| Moralès | Simone Del Savio |
| Zuniga | Xhieldo Hyseni |
| Carmen | Clémentine Margaine (8, 12, 16, 22 and 25 June) / Stéphanie d’Oustrac (10, 18, 20, 23 and 27 June) |
| Micaëla | Natalia Tanasii (8, 12, 16, 20 and 22 June.) / Slávka Zámečníková (10, 18, 23, 25 and 27 June.) |
| Frasquita | Sarah Dufresne |
| Mercédès | Marine Chagnon |
In brief
The next Music Director of the Teatro alla Scala, Myung-Whun Chung, reaches his eleventh opera title at La Scala (having conducted over 140 concerts both at home and on tour) with this new production of Bizet’s Carmen, a co-production with London’s Royal Opera House, Covent Garden, and Madrid’s Teatro Real. Well-versed in French music—also through his work with the Opéra Bastille and the Orchestre Philharmonique de Radio France—Chung leads a cast that is perfectly idiomatic. Alongside Clémentine Margaine in the title role, alternating with Stéphanie d’Oustrac, and Giorgi Manoshvili as Escamillo, the production features Vittorio Grigolo as Don José—a major Italian voice with a strong affinity for the French repertoire— alternating with Matthew Polenzani. Damiano Michieletto and set designer Paolo Fantin reduce local colour to a minimum in order to construct a bare and effective spectacle, focused on the ineluctable fate of the protagonists.
2 hours and 55 minutes circa including intermission



