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THE SLEEPING BEAUTY

Rudolf Nureyev 1966 Bella addormentata header DESKTOP
Performances
08:00 PM
PREMIERE
Series Ballet Premiere
02:30 PM
Out of Subs.
02:30 PM
Out of Subs.
05:00 PM
Out of Subs.
08:00 PM
Out of Subs.
08:00 PM
Out of Subs.
02:30 PM
Out of Subs.
08:00 PM
Series P Ballet Subs.
08:00 PM
Out of Subs.
08:00 PM
Series R Ballet Subs.
08:00 PM
Out of Subs.
02:30 PM
Out of Subs.
08:00 PM
Invitation La Scala
Ballet

The Sleeping Beauty

Rudolf Nureyev
From 18 December 2025 to 13 January 2026
3 hours and 10 minutes intermissions included

Ballet in a prologue and three acts
from the tale La Belle au bois dormant by Charles Perrault

Libretto by M. Petipa and I.A. Vsevoložskij

Teatro alla Scala Ballet Company and Orchestra

Teatro alla Scala Production

 

The Sleeping Beauty - 17 December 2025, UNDER30 Preview

Choreography and StagingRUDOLF NUREYEV
Choreographic SupervisionLAURENT NOVIS
Choreographic RevivalSABRINA MALLEM, LAURENT NOVIS, BÉATRICE MARTEL, LIONEL DELANOË
MusicPËTR IL’IČ ČAJKOVSKIJ
Sets and costumesFRANCA SQUARCIAPINO
ConductorKEVIN RHODES
LightsANDREA GIRETTI

Due to a sudden indisposition, Martina Arduino will be unable to perform in this evening’s performance of The Sleeping Beauty on 13 January. In her place, Camilla Cerulli will dance the role of Princess Aurora.

In brief

The most sumptuous and dreamlike ballet, almost the “ballet par excellence”: The Sleeping Beauty, when it was first performed in St Petersburg in 1890, saw the development of an exemplary collaboration between choreographer (Petipa), composer (Tchaikovsky), and the director of the Imperial Theatres, Vsevoložskij, who also created the costumes, to present to the Petersburg nobility the fabulous grandeur of the court of King Louis XIV. It was at La Scala that Nureyev entrusted the debut of his Sleeping Beauty in 1966, performing on stage alongside Carla Fracci in a role considered a key ballet in his artistic life. From the original choreography, Nureyev managed to preserve its purity while infusing it with a new theatrical breath, with a complex choreography that revealed the characters’ psychology, the Prince among them. Six years after the previous performances, the production returns in the setting created by Oscar-winning designer Franca Squarciapino for La Scala in 1993, splendid in its exquisite décor and costumes evoking the court of Versailles.

 3 hours and 10 minutes intermissions included
PROLOGUE and FIRST ACT 65’
Intermission
25’
SECOND ACT 40’
Intermission
20’
THIRD ACT 40’
End
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16 9 bella