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KRATZ / PRELJOCAJ / DE BANA

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Performances
08:00 PM
PREMIERE
Series Ballet Premiere
08:00 PM
Out of Subs.
02:30 PM
Invitation La Scala
08:00 PM
Series P Ballet Subs.
08:00 PM
Series O Mini Subs.
08:00 PM
Series R Ballet Subs.
08:00 PM
Series H
Ballet

Kratz / Preljocaj / De Bana

Philippe Kratz, Angelin Preljocaj, Patrick de Bana
From 28 February to 12 March 2025
2 hours and 15 minutes circa intermission included

Teatro alla Scala Ballet Company

Pre-recorded music

 

The evening of 28 February is in memory of Antonella Luongo, an artist of Teatro alla Scala Ballet Company

Programme

Solitude Sometimes

Teatro alla Scala Production

Philippe Kratz, choreography
Casia Vengoechea, assistant choreographer
Thom Yorke and Radiohead, music
Carlo Cerri and Philippe Kratz, scenes
Francesco Casarotto, costumes
Carlo Cerri, lights
Carlo Cerri and OOOPStudio, video designer

Annonciation

Teatro alla Scala Production

Angelin Preljocaj, choreography and sets
Claudia De Smet, choreographic supervision
Stéphane Roy (Crystal Music) and Antonio Vivaldi (Magnificat), music
Nathalie Sanson, costumes
Jacques Châtelet, lights

Carmen

Teatro alla Scala New Production
World Premiere

Patrick de Bana, choreography
Aida Badia, assistant choreographer
José Andrade, libretto
Rodion Ščedrin (Carmen SuiteEl Pele&Vicente Amigo​​​​​​​ (Aconteció) Montse Cortés con Juana la del Pipa (Ayer en Hoy), music
Ricardo Sánchez Cuerda, scenes
Stephanie Bäuerle, costumes
Ivan Vinogradov, lights
Roberto Bolle, étoile (28 Feb.; 1, 4 eve, 7 Mar.)

In brief

A world première and the return of two choreographic works with unusual sources of inspiration. Patrick de Bana signs his first creation for La Scala’s Ballet Company and its étoiles; amid mythology, culture, scents and icons of a Spain filtered through his personal experience he will revive the essence of Carmen, passionate heroine dressed in freedom. One of Angelin Preljocaj’s most emblematic works, Annonciation is a female duet that interprets the touching mystery of the Annunciation to the Virgin Mary with the emphasis on the relationship between the spirit and the body, interior and exterior, Mary’s inner upheaval at the apparition of the angel. Philippe Kratz finds inspiration for Solitude Sometimes in the story from the Amduat of the descent into the underworld of the sun god Ra. Kratz leads the La Scala artists on a journey though Egyptian mythology in a work that is abstract in its essence but populated by symbolic elements: catharsis, rebirth, cycle of life, and the resilience of the individual set to the electronic music of Thom Yorke and Radiohead.

 2 hours and 15 minutes intermission included
SOLITUDE SOMETIMES 25’
Intermission
3’
ANNONCIATION 22’
Intermission
25’
CARMEN 60’
End
16 9 5
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