Students of the Ballet School of the Teatro alla Scala Academy
Teatro alla Scala Academy Orchestra
Director Frédéric Olivieri
Conductor | Piero Mianiti |
Violin | Giovanni Andrea Zanon |
Violin | Paloma Martin |
Violin | Da Won Ghang |
Cello | Sofia Bellettini |
Lights | Andrea Giretti |
programme |
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Presentazione |
Created by Frédéric Olivieri Music, Johann Sebastian Bach Concerto for two violins and orchestra in D minor BWV 1043
Paloma Martin, violin Da Won Ghang, violin Choreography assistants: Jean-Philippe Halnaut, Walter Madau, Leonid Nikonov, Tatiana Nikonova, Giulia Rossitto, Elisa Scala, Maurizio Vanadia, Paola Vismara |
Largo |
Choreography Matteo Levaggi (reconstruction from the 2007 version for the Ballet du Grand Théâtre de Genève) Music, Johann Sebastian Bach from Suite n. 1 in G major for cello solo BWV 1007 Movements: Prélude, Sarabande, Allemande
Sofia Bellettini, cello Federico Sangalli, costumes |
Canone allegro |
Choreography and costumes Valentino Zucchetti Music, Felix Mendelssohn-Bartholdy from Concerto in E minor for violin ancheorchestra, Op. 64 First movement: Allegro molto appassionato
Giovanni Andrea Zanon, violino Choreography assistant: Walter Madau |
Serenade |
Choreography George Balanchine © The George Balanchine Trust Choreography revived by Patricia Neary Music, Pëtr Il'ič Čajkovskij Serenade for strings orchestra in C major, Op. 48
Choreography assistants: Assistenti alla coreografia: Paola Vismara, Jean-Philippe Halnaut, Maurizio Vanadia, Tatiana Nikonova
The performance of "Serenade", choreography by George Balanchine© The George Balanchine Trust, a Balanchine® Ballet, is presented by arrangement with the George Balanchine Trust and has been produced in accordance with the Balanchine Style® and Balanchine Technique® Service standards established and provided by the Trust. |
The young Ballet School students become acquainted with the great masters of the classical, modern and contemporary repertoires. To these aspiring young artists, dancing at the Teatro alla Scala means something more than simply putting their technical and interpretive skills to the test: it means having an educational and professional experience of the highest level on a much dreamed-of-stage.